Cinema Speakeasy

Wrap Report: Ultra Fabulous Beyond Drag, December 2009

Jackie Beat, Alexis Arquette and Calpernia Addams. Photo by Austin Young

About 200 amazing looking people showed up to ‘Ultra Fabulous, Beyond Drag’ on December 2nd at the Downtown Independent in Los Angeles. In anticipation of the screening, curators/producers Austin Young and Saskia Wilson-Brown (repping Cinema Speakeasy) put on a Tranimal Workshop at Machine Project on Alvarado in LA.

Here are press links for both events:

LA Times: click here

LA Weekly: click here

Brand X: click here

Dangerous Minds: click here

Flavorpill: click here

Blackbook: click here

WOW Report: click here

Filed under: Wrap Report, ,

December Program: Ultra Fabulous, Beyond Drag (Part Deux)

Cinema Speakeasy is pleased as punch to present its first Big Event Screening (caps added for emphasis): the second installment of the shorts film program Ultra Fabulous Beyond Drag.

December’s special instructions

  • Show up on Wednesday December 2nd, at 7:45PM
  • Show up to the right place: The Downtown Independent Theatre (251 S. Main Street, LA CA 90012)
  • Come looking amazing.
  • Bring $12 (or a ticket, which you can buy in advance here), and a shifty look in your HEAVILY MASCARA-ED eyes.
  • Alcohol is available for sale at the Downtown Independent, but I’m sure no one would stop you if you also brought a flask…

flyerWTF IS ‘ULTRA FABULOUS, BEYOND DRAG’?

Developed by Austin Young and Saskia Wilson-Brown, Ultra Fabulous, Beyond Drag was first screened in 2007 as part of the Silver Lake Film Festival. Selling out the LA Gay and Lesbian Center’s 200 seat theatre, the first edition of UFBD included films by iconic performers & filmmakers – Jefree Star, Peaches Christ, Darren Stein and Walt Paper amongst others – as well as live stage performances from Sir Heffington and the late, great Steve Lady.

This new follow-up program presents a comprehensive look at developments in transsexual/ transgender/tranimal culture through short films by and about the performers working in this – paradoxically – gender-neutral yet hyper-gendered space.

International in scope, ‘Ultra Fabulous, Beyond Drag: Part Deux’ is a a celebration of gender identification – featuring androgynes, the transgendered, drag queens and tranimals… Going way beyond the boas, glitter and whip-smart sass, it aims to showcase a new filmic genre — a genre we are dubbing ‘transploitation’ — born of, and predicated on the instant accessibility of internet culture, the do-it-yourself ethos of home publishing, and, the humorous narcissism inherent to self-reflection, gender identification and ‘otherness’. All this, through the best new performance video and short film work by established filmmakers, avant-garde performers, iconic chanteuses, Gen Y viral superstars, and developing talents alike. Oh, and a lot of make-up.

The screening will be complemented by a critical panel exploring ‘Gender Identity and Transploitation in Contemporary Media’, moderated by Jackie Beat, featuring Calpernia Addams, Buck Angel and Zackary Drucker.

We will also be offering a workshop on November 30th at Machine Project on tranimal make-up application led by Fade-Dra and Squeaky Blonde, with before/after shots by Austin Young and quick costume-making tips by Scott Cronick.

Made possible by the generous support of M.A.C. Cosmetics,The Downtown Independent and Machine Project, Ultra Fabulous, Beyond Drag remains a collaboration between artist & filmmaker Austin Young, and independent film strategist Saskia Wilson-Brown.

Ultra Fabulous, Beyond Drag is presented in part by Cinema Speakeasy, and is Curated by Austin Young & Saskia Wilson-Brown. We are also indebted to Georgi Goldman @ Cinema Speakeasy, Mark Allen & Michele Yu @ Machine Project , Sarah Shewey @ Pink Cloud Events, James Kirst @ the Downtown Independent, LACE, Shana Nys Dambrot @ Flavorpill, Lena Lecaro, Frontiers Magazine, and many more to come…

Filed under: Screening, , , , , , , , , , ,

Wrap Report: 3 Short Films, A Workshop, November 2009

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Erik (with Zak in the back)

In presenting a short film workshop, Georgi and I (Saskia) were hoping to incite a proper discussion about film- centered on specific examples. We wanted to capture the vibe we used to get back in college where a bunch of passionate people discussed the finer points of something they all love. To that end, our short film workshop was just. fucking. perfect.

After charismatic Paolo Davanzo manned the podium to explain the purpose and programs at the Echo Park Film Center, I went up and blabbed on for a minute about my favorite topic (namely, getting us all the hell out of waiting for permission to do things that we care about, but I’ll spare you).

Then, we invited director Michael Medaglia up to the front of the room to present his short thriller, the slightly surreal and lush KITTY KITTY.

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Michael Medaglia

After the film, Cinema Speakeasy’s Georgi Goldman, came up and led a robust conversation about the finer points of the film while Michael stood in the hot seat and talked about the interests that led him to make KITTY KITTY, the process of choosing the actors, and his sound design decisions. I found myself thinking of the film as an interesting parable for love, how in loving someone you are sometimes required to take on their particular set of idiosyncrasies (in this case illness), and about the beauty and dangers one faces in that process.

 

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Tawd b. Dorenfeld

Next up was Tawd b. Dorenfeld, presenting the first episode of his CHASSIDIC TALES: THE STORIES OF THE BAAL SHEM TOV, a stop-motion animation, told as it was written, and completely on point with the teachings it aims to elucidate. The discussion around the film centered on the concepts of art vs. culture (namely, how being true to a culture can potentially limit artistic decision-making). I personally concluded that the lack of irony in his work – the authenticity to the Chassidic tale it was spinning- was refreshing and authentic.

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Weston & Georgi

Finally, director Weston Middleton and writer/editor Erik Adolphson showed their short CIVIL, a cat and mouse game about a Confederate soldier trying to follow one last set of orders, with a Union troop hot on his tail. The discussion centered around the finer points of the editing process, the timing and the beat of the film. Overall, it was concluded that it was a very ambitious, very BIG film- cinematic in scope and brilliantly executed.

So, all in all, we got exactly what we wanted out of this night, and certainly hope that the feedback was helpful to Michael, Tawd, Weston and Erik.

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The Beautiful Lisa Marr

Thanks – again and again – to Lisa Marr & Paolo Davanzo for allowing us to have our monthly event at their fine establishment. We also want to thank Zak Forsman for being so kind as to film the critique (and for his support and good vibes, all around), and as always all the friends and strangers who come and support independent culture with their entrance fee, their insight, and their Tuesday night. Oh, and Michael, Tawd, Erik, Weston for braving public critique and showing their brand new films. Hasta la proxima!

Filed under: Wrap Report, , , , , , , , , ,

New Breed // Write-up on CS

Click here to check out the article Zak Forsman posted on New Breed (on Lance Weiler’s Workbook Project) about Cinema Speakeasy, curation, and independent media.

“I wanted to show – then – that DIY distribution is actually not so scary, once its broken down into smaller components. I conceived of this series to prove that the audience-led model of theatrical film exhibition at least is a feasible way to get your film shown. I also wanted to help independent filmmakers find ways to sustain (albeit in a small way) by helping raise funds for them through these screenings, while still keeping them accessible to people on small budgets.”

We’re most indebted for the opportunity to express our intentionality.

Filed under: Holy shit we're in the papers, , , , , , , , , , ,

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